Distortion
Intentionally clips or saturates the signal to add harmonics, grit, and aggression.
Distortion adds harmonic content by pushing a signal beyond its clean range. Different distortion types produce different harmonic series: tube/valve distortion adds warm even harmonics, transistor clipping creates brighter odd harmonics, and digital clipping produces harsh, buzzy artifacts. In synthesis, distortion transforms clean tones into aggressive, complex timbres. It's essential for dubstep basses, rock leads, and lo-fi aesthetics. Key parameters include drive (how much the signal is pushed), tone (post-distortion filtering), and mix (blend with clean signal). Subtle distortion (saturation) adds warmth and presence; heavy distortion completely reshapes the sound's character.
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Wavetable SynthesisADSR EnvelopeLFO (Low Frequency Oscillator)FilterFilter CutoffFilter ResonanceOscillatorReverbDelayCompressionEQ (Equalization)DistortionMIDIDAW (Digital Audio Workstation)VST (Virtual Studio Technology)SerumVitalUnisonSidechain CompressionFM SynthesisSubtractive SynthesisGranular SynthesisEnvelopeAttackDecaySustainReleaseWaveformSine WaveSawtooth WaveSquare WaveTriangle WaveDetuneLowpass FilterHighpass FilterBandpass FilterNotch FilterSaturationChorusModulationStereo WidthCarrierModulatorMorphBitcrusherRing ModulationAdditive SynthesisPulse WidthGain StagingHeadroomLUFS (Loudness Units Full Scale)True PeakTransient ShapingParallel CompressionBus CompressionMid-Side ProcessingDitheringFrequency MaskingMono CompatibilityReese Bass